翻译下列文字,逐段落翻译,将翻译好的字段放置在英文字段下方。 Firstly, we discuss the perceptional architecture in Greece. The ancient Greek architecture pursued plastic arts, and each building seemed to be a sculpture. They pursued harmony and considered that human body was the most harmonious and beautiful shape in the world. The physical beauty is well reflected in their architectures. For instance, the Doric order represented male model is resolute and magnificent. The Ionic order represented female model is gentle and graceful. Next, we explored the spirit of ethics in Chinese architecture. Contrary to the tendency of pursuing formal beauty, attractive appearance and sculpture in Greece, the Chinese people don ’ t pursue the external beauty but consider that the architecture is the place of living, thinking and cultivating moral, and should focus on ethics. The thought of group harmony is the characteristics of Chinese architectural aesthetics, but also the unique ideas of Chinese architecture. Therefore, Chinese architecture is mainly in horizontal development, as to weaken the highlight of the individual architecture greatly. This kind of layout became dominant depending on the overall momentum of the symmetry, concert and good order among groups instead of the modeling of individual architecture.Chinese people have surprising control ability to the architectural groups. In the group harmony of Chinese architectures, it is characterized by “ courtesy ” of the Confucianism. “ Courtesy ” is the criteria of dividing into the differences among people. Therefore, it has clear expression on the primary and secondary in architecture. The architectures with different grades have the corresponding position, form, color and roof styles, etc. All these also reflected the ethics of Chinese architecture.For instance, in the Forbidden City, all the buildings are arranged in a certain courtesy order, so as to show the tremendous momentum. The second difference on history and culture between Chinese and western architecture is the spirit of democracy in the west and autocratic and hierarchical thinking in China. In the ancient Greek architectures, the large-scale buildings are often established according to the topography, not emphasized the axis symmetry and hierarchical thinking. For instance, in the Acropolis of Athens, the layout of buildings is in accordance with the topography. The free and lively layout makes people full of vigor more than in a solemn and awe-inspiring atmosphere. In the ancient Chinese architectures, there always showed the well-fortified hierarchy from the layout, dimension, structural units, architectural ornaments, building materials to the city size, even the road width, etc. The strong hierarchy regulations are filled with everywhere. Even some relative laws and regulation involved. The third difference is the mysterious religious content of the western architecture and harmonic realism in China. The westerners believe in god and have a kind of extraordinary devotion to religion. However, the Chinese people believe that their fates will be in their own hands. They will be safe and sound if abiding by the laws and behave themselves. They will be punished if making mistakes. The Chinese people are very realistic. They will not believe in God too much but live in peace and coordinate with reality. Even the ancient Chinese religious buildings are also filled with quite a strong secular color. The westerners paid more attention to the religious buildings. In the ancient buildings, the religious buildings often represent the top level of the architecture at that time. The designers applied the vertical space sequence and upward straight form to express the people ’ s worship to the God and the eager yearning and infatuation to the heaven. The westerners paid less attention to the secularity and authority than the Chinese, but paid more attention to the God in their minds. They established many immortal temples and churches with the best materials and techniques. In addition, the architects often make use of shadow to create the rich and mysterious atmosphere in religious buildings, whether Parthenon or the Pantheon and temples and Christ church, their internal space have some mysterious power to guide the spirit of the present people to the elusive and distant place.