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Good evening. I have come to Jerusalem today as a novelist, which is to say as a professional spinner of lies. Today, however, I have no intention of lying. I will try to be as honest as I can. There are only a few days in the year when I do not engage in telling lies, and today happens to be one of them. So let me tell you the truth. In Japan a fair number of people advised me not to come here to accept the Jerusalem Prize. Some even warned me they would instigate a boycott of my books if I came. The reason for this, of course, was the fierce fighting that was raging in Gaza. Finally, however, after careful consideration, I made up my mind to come here. One reason for my decision was that all too many people advised me not to do it. Perhaps, like many other novelists, I tend to do the exact opposite of what I am told. If people are telling me-- and especially if they are warning me-- “Don’t go there,” “Don’t do that,” I tend to want to “go there” and “do that”. It’s in my nature, you might say, as a novelist. Novelists are a special breed. They cannot genuinely trust anything they have not seen with their own eyes or touched with their own hands. And that is why I am here. I chose to come here rather than stay away. I chose to see for myself rather than not to see. I chose to speak to you rather than to say nothing. Please do allow me to deliver a message, one very personal message. It is something that I always keep in mind while I am writing fiction. I have never gone so far as to write it on a piece of paper and paste it to the wall: rather, it is carved into the wall of my mind, and it goes something like this: “Between a high, solid wall and an egg that breaks against it, I will always stand on the side of the egg.” I have only one reason to write novels, and that is to bring the dignity of the individual soul to the surface and shine a light upon it. The purpose of a story is to sound an alarm, to keep a light trained on the System in order to prevent it from tangling our souls in its web and demeaning them. I truly believe it is the novelist’s job to keep trying to clarify the uniqueness of each individual soul by writing stories--stories of life and death, stories of love, stories that make people cry and quake with fear and shake with laughter. This is why we go on, day after day, concocting fictions with utter seriousness. 46.What made the writer decide to come to Jerusalem? A.He wanted to accept the Jerusalem Prize. B.A fair number of people advised him to. C.too many people advised me not to do it and he chose to some here rather than stay away. D.He wanted to write novels in Jerusalem. 47.From the passage, we can know the writer is man who_____________ A.is afraid of others’ opinions. B.braves to express his opinions. C.trusts anything others talk. D.hates anything and writes to the pubic. 48.Which of the following statements is NOT true? A.the purpose of writing for the writer is to bring the dignity of the individual soul to the surface and shine a light upon it. B.Novelists hardly trust anything they have not seen with their own eyes or touched with their own hands. C.The writer’s writing stories just wanted to make people cry and quake with fear and shake with laughter. D.The writer comes from Japan and chose to speak to the public. 49.What did the writer mean by saying : “I always stand on the edge of the egg?” A.He thought he was so weak. B.He wanted to be an egg. C.He didn’t like the wall. D.He wanted to fight with the strong society for his dream. 50.Where does this passage come from? A.a speech from awarding meeting B.a discussion from a novelist C.a debate from Japanese D.a warning from a meeting
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【单选题】下列不构成营业利润的是( )。D
A.
营业收入
B.
公允价值变动损益
C.
投资收益
D.
营业外收入
【单选题】下列句子中成语使用 不恰当 的一项是
A.
被誉为 “ 最牛高考满分作文 ” 的《站在黄花岗陵园的门口》 , 令人叹为观止。
B.
200 年来 , 唐人街一直保持着典型中华传统文化和华人社区的习俗特点 , 鳞次栉比 的商铺、住屋前都供奉着福、禄、寿三位官人像。
C.
今年是老舍先生诞辰 110 周年 , 他的作品一下子流行起来 , 电视里 , 新版《四世同堂》刚播完 , 紧接着《龙须沟》又粉墨登场。
D.
在热心公益蔚然成风的今天,百名青年在某市首届成人礼活动中,以无偿献血作为自己成长的见证,体现了当代青年的责任感。
【单选题】下列不构成营业利润的是( )。
A.
营业收入
B.
公允价值变动损益
C.
投资收益
D.
营业外收支净额
【单选题】下列不构成营业利润的是( )。
A.
营业收入
B.
公允价值变动损益
C.
投资净收益
D.
营业外收支净额
【多选题】商业银行经营管理的“三性”原则包括( )。
A.
安全性
B.
流动性
C.
自主性
D.
盈利性
【单选题】商业银行经营管理的“三性原则”不包括(  )
A.
安全性
B.
稳定性
C.
流动性
D.
效益性
【简答题】商业银行经营管理的“三性原则”不包括( )。
【单选题】下列句子中的成语使用不恰当的一项是
A.
一旦打开心灵之窗,写出来的东西往往就能扣人心弦。
B.
每到夜幕降临,柳州的小吃街便人声鼎沸,那场面十分壮观。
C.
读书是游历世界最经济、最省事的途径,我们足不出户,便可以大饱眼福。
D.
柳州电视台的“摆古”栏目办得惟妙惟肖,赢得了观众的一致好评。
【单选题】下列句子中,成语使用不恰当的一项是( )
A.
.洋洋洒洒地走进高等学府的神圣殿堂,是我梦寐以求的事情。
B.
.他的作品并非如有人所说的那样简单得一目了然,说这种话的人归根到底是没有读懂原著。
C.
.他干这场壮举时还只是一个二十几岁的英雄少年,正血气方刚,欲为朝廷痛杀贼寇,收复失地。
D.
.革命先烈前仆后继,摸索救国救民的道理,是可歌可泣的。
【多选题】商业银行经营管理的“三性原则”包括()。
A.
流动性
B.
稳定性
C.
效益性
D.
盈利性
E.
安全性
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