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【简答题】
The history of modern art begins with Impressionism, a movement started in Paris in the mid-1800’s. At that time many artists painted in a very traditional way that involved spending hours in a studio, painstakingly (辛苦地) creating paintings that were extremely detailed. These paintings were sometimes of people or landscapes or historical events. In 1863, Edouard Manet exhibited his painting “Dejeuner sur l’erbe” at the Salon des Refuses. The painting caused a commotion (骚动), thus starting the Impressionist movement. Although Edouard Manet is the declared leader and founder of the group, he was not present at the first group exhibition or any of the other eight collective Impressionist shows. The movement gained more attention in the April of 1874 when Claude Monet, Auguste Renoir, Alfred Sisley, and Jean-Frédéric Bazille formed Society of Artists, Painters, Sculptors, Engravers and began exhibiting outside of the official salon. The same year, the term Impressionism was invented by criticizing (批评的) journalist Louis Leroy to describe their paintings, who worked for the magazine Le Charivari . The Impressionists often paint out of doors and want to show how light and shadow fall on objects at particular times of the day. Their works are sometimes described as “captured moments” and are characterized by short quick brushstrokes (笔) of colour which, when viewed up close looks quite messy and unreal. If we step back from the Impressionist paintings, the colours are blended together by our eyes and we are able to see the painters’ subjects which often show colourful landscapes, sunlight on water as well as people busy with outdoor activities. 小题1:Before Impressionism, the works of artists were . A.quite abstract B.very confusing C.very detailed D.quite controversial 小题2:Who first started Impressionism? ___________ A.Claude Monet. B.Edouard Manet. C.Auguste Renoir. D.Alfred Sisley. 小题3: The works of the Impressionists are best viewed . A.with imagination B.at a distance C.outdoors D.in a studio 小题4:The second paragraph is mainly about ______. A.the painting style of the Impressionists B.how to describe the Impressionist paintings C.the influences of the Impressionist paintings D.the subjects of the Impressionist paintings
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举一反三
【单选题】根据《混凝土强度检验评定标准》GB/T50107-2010,对混凝土强度进行合格评定时,保证混凝土取样的(),是使所抽取的试样具有代表性的重要条件。
A.
针对性
B.
随机性
C.
广泛性
D.
全面性
【多选题】结构混凝土的强度等级必须符合设计要求。用于检查结构构件混凝土强度的试件,应在混凝土的浇筑地点随机抽取。取样与试件留置应符合下列( )规定。
A.
每拌制100盘且不超过100m 3 的同配合比的混凝土,取样不得少于一次
B.
每工作班拌制的同一配合比的混凝土不足100盘时,取样不得少于一次
C.
当一次连续浇筑超过1000m 3 时,同一配合比的混凝土每200m 3 取样不得少于3次
D.
每一楼层、同一配合比的混凝土,取样不得少于3次
E.
每次取样应至少留置一组标准养护试件,同条件养护试件的留置组数应根据实际需要确定
【判断题】雨水集蓄利用技术的实质是控制地表径流的汇流方式与汇流过程,并将地表径流按照指定用途存储在一定的空间。( )
A.
正确
B.
错误
【多选题】预制构件混凝土强度试样应在工厂或浇筑地点随机抽取取样的频率和数量符合要求的是()
A.
每100盘,但不超过100m3混凝土,取样次数不应少于一次
B.
每一工作班组拌制的同配合比混凝土,不足100盘和100m3时,取样次数不应少于两次
C.
当一次连续浇筑的同配合比混凝土超过但不超过1000m3时,每200m3取样不应少于一
D.
对房屋建筑,同一楼层、同一配合比的预制构件混凝土,取样不应少于三次
E.
在工厂抽样合格的产品到建筑地点可不进行检查
【多选题】预制构件混凝土强度试样应在工厂或浇筑地点随机抽取取样的频率和数量符合要求的是()。
A.
每100盘,但不超过100m混凝土,取样次数不应少于一次
B.
每一工作班组拌制的同配合比混凝土,不足100盘和100m时,取样次数不应少于两次
C.
当一次连续浇筑的同配合比混凝土超过但不超过1000m时,每200m取样不应少于一
D.
对房屋建筑,同一楼层、同一配合比的预制构件混凝土,取样不应少于三次
E.
在工厂抽样合格的产品到建筑地点可不进行检查
【单选题】不可能导致机油压力低的故障是
A.
油底壳中机油不足
B.
曲轴和连杆轴承配合间隙过大
C.
液压挺柱泄漏
D.
机油泵损坏
【单选题】混凝土强度抽样取样要求
A.
不得少于一次
B.
不得少于两次
C.
不得少于三次
D.
最多可取样四次对比
【单选题】不可能导致机油压力低的故障是
A.
油底壳中机油不足
B.
曲轴瓦、连杆瓦与曲轴之间的配合间隙过大
C.
液压挺柱泄漏
【单选题】采集病史过程中,下列哪项提问不妥( )
A.
你病了多长时间了
B.
你感到哪儿不舒服
C.
你的粪便发黑吗
D.
你一般在什么时候发热
E.
这次病后吃什么药吗
【简答题】不可能导致机油压力低的故障是
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