Perhaps the myth of the perfect communicator comes from believing too strongly in novels, television, or films. In these places we are treated to descriptions of such characters as the perfect mate or child, the totally controlled and gregarious host, and the incredibly competent professional. While these images are certainly appealing, it's inevitable that we will come up short when com-pared to them. Once you accept the belief that it's desirable and possible to be a perfect communicator, the thought follows that people won't appreciate you if you are imperfect. Admitting one's mistakes, saying 'I don't know,' or sharing feelings of uncertainty or discomfort become social defects when viewed in this manner. Given the desire to be valued and appreciated, it is a temptation to try at least to appear perfect. Thus, many people assemble a veriety of social masks, hoping that if they can fool others into thinking that they are perfect, perhaps they'll find acceptance. The costs of such deception are high. If others ever detect that this veneer of confidence is a false one, then the actor is seen as a phony, and regarded accordingly. Even ff the unassertive actor's role of confidence does go undetected, such a performance uses hus makes the rewards of approval less enjoyable. Which of the following is NOT mentioned as an example of appealing images in novels, television, or films?