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听力原文: Well, um, whether we like it or not—and many may disagree with my thesis because painting, or music, or some other art is more important to them—the art of the moving image is the only art truly of our time, whether it is in the form. of film or television. The moving picture is our universal art, which comprises all others, literature and acting, stage design and music, dance and the beauty of nature, and most of all, the use of light and of color. It is always about us, because the medium is truly part of the message and the medium of the moving image is uniquely modern. Everybody can understand it, as everyone once understood religious art in church. And as people used to go to church on Sundays, anyway they still do it now, so the majority today go to the movies on weekends. But while in the past most went to church only on some days, now everybody watches moving images every day. All age groups watch moving pictures, and they watch them for many more hours than people have ever spent in churches. Children and adults watch them separately or together in many ways and for many people, it is the only experience common to parents and children. It is the only art today that appeals to all social and economic classes, in short, that appeals to everybody, as did religious art in times past. The moving picture is thus by far the most popular of our time, and it is also the most authentically American of arts. When I speak here of the moving picture as the authentic American art of our time, I do not think of art with a capital A, nor of 'high' art. Putting art on a pedestal robs it of its vitality. When the great medieval and Renaissance cathedrals were erected, and decorated outside and in with art, these were popular works, which meant something to everybody. Some were great works of art, others not, but every piece was significant and all took pride in each of them. Some gain their spiritual experience from the masterpiece, but many more gain it from the mediocre works that express the same vision as the masterpiece but in a more accessible form. This is as true for church music or the church itself as for paintings and sculptures. This diversity of art objects achieves a unity, and differences in quality are important, provided they all represent, each in its own way, the overarching vision and experience of a larger, important cosmos. Such a vision confers meaning and dignity on our existence, and is what forms the essence of art. So among the worst detriments to the healthy development of the art of the moving image are efforts by aesthetes and critics to isolate the art of film from popular movies and television. Nothing could be more contrary to the true spirit of art. Whenever art was vital, it was always equally popular with the ordinary man and the most refined person. Had Greek drama and comedy meant nothing to most citizens, the majority of the population would not have set all day long entranced on hard stone slabs, watching the events on the stage; nor would the entire population have conferred prizes on the winning dramatist. The medieval pageants and mystery plays out of which modern drama grew were popular entertainment, as were the plays of Shakespeare. Everybody admired Davids statue; it was simultaneously popular and great art, but one did not think of it in disparate terms. Neither should we. To live well we need both: visions that lift us up, and entertainment that is down to earth, provided both art and entertainment, each in its different form. and way, are embodiments of the same visions of man. If art does not speak to all of us, common men and elites alike, it fails to address itself to that true humanity that is common to all of us. A different art for the elites and another one for average man tears society apart; it offends what we most need= visions that bind us together in common experiences that make life worth living.Narrator Listen to part of a lecture in an art class. Now get ready to answer the questions. You may use your notes to help you answer. What does the professor believe according to the situation in the United States?
A.
Painting is the central art of our time.
B.
The moving picture is the central art of our time.
C.
Music is the most central art of our time.
D.
Some other art is more important in our tim
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【判断题】短期应收款项的预计未来现金流量与其现值相差很小的,在确定相关减值损失时,可不对其预计未来现金流量进行折现。( )
A.
正确
B.
错误
【单选题】实习护士小李向病人林先生及其家属解释做好术前胃肠道准备的目的,不正确的是
A.
利于肺气体交换
B.
减轻术后腹胀
C.
防止麻醉时呕吐物吸入
D.
防止术中大便污染手术区
E.
防止术中呕吐误吸
【单选题】承载信息量的基本信号单位是
A.
码元
B.
比特
C.
数据传输速率
D.
误码率
【单选题】张护士是一名刚入职的护士,在她进入普外科第次独立值夜班的时候,遇到了很多问题:小张1600接班,病区有30名住院患者,其中当天术后5人,还有1人在手术室进行阑尾切除术。刚刚接完班,有1名胆囊炎患者前来办理住院手续,此时,阑尾炎切除术后患者回房,还有名术后患者家属来找小张帮助查看明天的处置。小张还要准备2000的常规静脉输液,还要进行晚间护理......于是,张护士请求手术室人员将阑尾炎术后患者先送...
A.
查看术后患者次日处置项目
B.
办理住院手续
C.
交接术后患者
D.
准备常规静脉输液
E.
进行晚间护理
【简答题】病人手术区的准备其目的是什么?
【单选题】短期应收款项的预计未来现金流量与其现值相差很小的,在确定相关减值损失时,可不对其预计未来现金流量进行折现。 ( )
A.
正确
B.
错误
【单选题】关于病人手术区的准备,下列说法不对的是
A.
病人手术区准备目的是清除手术切口处及其周围皮肤上的暂居菌
B.
感染部位涂擦消毒剂应由手术区中心部向四周涂擦
C.
清洁部位手术区涂擦消毒剂应由手术区中心部向四周涂擦
D.
手术区皮肤消毒范围要包括手术切口周围15cm的区域
【单选题】某混凝土板为四边支撑,其长度5m,宽2.0m,在计算受力分析时说法正确的是( )。
A.
应按双向板计算
B.
宜按双向板计算
C.
应按单向板计算
D.
宜按单向板计算
【判断题】犯罪准备,是指为犯罪行为的实施准备条件。()
A.
正确
B.
错误
【单选题】实习护士小李向病人林先生及其家属解释做好术前胃肠道准备的目的,不正确的是
A.
利于肺气体交换
B.
防止麻醉时呕吐误吸
C.
减轻术后腹胀
D.
防止术中大便污染手术区
E.
防止术中呕吐误吸
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