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Many a young person tells me he wants to be a writer. I always encourage such people, but I also explain that there’s a big difference between “being a writer” and writing. In most cases individuals are dreaming of wealth and fame, not the long hours alone at a typewriter. “You’ve got to want to write,” I say to them, not want to be a writer.” The reality is that writing is a lonely, private and poor-paying affair. For every writer kissed by fortune there are thousands more whose longing is never rewarded. When I left a 20-year career in the US Coast Guard to become a freelance writer(自由撰稿者), I had no prospects at all. What I did have was a friend who found me a room in a New York apartment building. It didn’t even matter that it was cold and had no bathroom. I immediately bought used manual typewriter and felt like a genuine writer. After a year or so, however, I still hadn’t got a break and began to doubt myself. It was so hard to sell a story that barely made enough to eat. But I knew I wanted to write. I had dreamed about it for years, I wasn’t going to be one of those people who die wondering. What if? I would keep putting my dream to the test-even though it meant living with uncertainly and fear of failure. This is the shadowland of hope, and any one with a dream must learn to live there. 1. The passage is meant to                 . warn young people of the hardships that a successful writer has to experience advise young people to give up their idea of becoming a professional writer show young people it’s unrealistic for a writer to pursue wealth and fame encourage young people to pursue a writing career 2. What can be concluded from the passage? Genuine writers often find their work interesting and rewarding. A writer’s success depends on luck rather than on effort. Famous writers usually live in poverty and isolation. The chances for a writer to become successful are small 3. Why did the author begin to doubt himself after the first year of his writing career? He wasn’t able to produce a single look. He hadn’t seen a change for the better He wasn’t able to have a rest for a whole year. He found his dream would never come true. 4. “I wasn’t going to be one of those people who die wondering. What if?” refers to “those               .” who think too much of the dark side of life who regret giving up their career halfway who think a lot without making a decision who are full of imagination even upon death 5. “Shadowland” in the last paragraph refers to              . the wonderland one often dream about the bright future that one is looking forward to the state of uncertainty before one’s final goal is reached a world that exists only in one’s imagination
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参考答案:
举一反三
【单选题】下列关于“图像大小”对话框的说法中,错误的是
A.
修改“像素大小”区域中的“宽度”数值后,“高度”数值将自动变化
B.
修改“像素大小”区域中的“宽度”数值后,“高度”数值不会自动变化
C.
修改“像素大小”区域中的“宽度”数值后,“文档大小”区域中的“宽度”数值不会自动变化
D.
修改“像素大小”区域中的“宽度”数值后,“文档大小”区域中的“高度”数值会自动变化
【单选题】公差带的大小由 确定
A.
基本偏差
B.
实际偏差
C.
基本尺寸
D.
标准公差数值
【简答题】物流服务的基本内容由哪几部分构成?
【判断题】绸缎面料的画法,主要运用渲染的方法来表现
A.
正确
B.
错误
【判断题】7420的第3引脚可以空置(悬空)。
A.
正确
B.
错误
【单选题】下列景观美学特征中,不属于景观正向美学特征的有( )。
A.
有序而又不整齐划一
B.
尺度的过大或过小
C.
景观要素的运用与生命的活力
D.
清洁性
【单选题】下列哪项不属于美学的特征
A.
形象性
B.
感染性
C.
社会功利性
D.
主体性
【判断题】( )设备间是在每幢建筑物的适当地点进行网络管理和信息交换的场地。对于综合布线系统工程设计,设备间主要安装建筑物配线设备。
A.
正确
B.
错误
【单选题】洛伦兹力可以使运动的带电粒子 ( )。
A.
改变带电粒子的速率
B.
改变带电粒子的动量
C.
对带电粒子做功
D.
增加带电粒子动能
【多选题】下列不属于美学特征的是
A.
发展性
B.
传承性
C.
和谐性
D.
多样性
E.
抽象性
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