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1 In the latter part of the last century there lived a man of science, an eminent proficient in every branch of natural philosophy, who not long before our story opens had made experience of a spiritual affinity more attractive than any chemical one. He had left his laboratory to the care of an assistant, cleared his fine countenance from the furnace smoke, washed the stain of acids from his fingers, and persuaded a beautiful woman to become his wife. In those days when the comparatively recent discovery of electricity and other kindred mysteries of Nature seemed to open paths into the region of miracle, it was not unusual for the love of science to rival the love of woman in its depth and absorbing energy. The higher intellect, the imagination, the spirit, and even the heart might all find their congenial aliment in pursuits which, as some of their ardent votaries believed, would ascend from one step of powerful intelligence to another, until the philosopher should lay his hand on the secret of creative force and perhaps make new worlds for himself. We know not whether Aylmer possessed this degree of faith in man's ultimate control over Nature. He had devoted himself, however, too unreservedly to scientific studies ever to be weaned from them by any second passion. His love for his young wife might prove the stronger of the two; but it could only be by intertwining itself with his love of science, and uniting the strength of the latter to his own. 2 Such a union accordingly took place, and was attended with truly remarkable consequences and a deeply impressive moral. One day, very soon after their marriage, Aylmer sat gazing at his wife with a trouble in his countenance that grew stronger until he spoke. 3 "Georgiana," said he, "has it never occurred to you that the mark upon your cheek might be removed?" 4 "No, indeed," said she, smiling; but perceiving the seriousness of his manner, she blushed deeply. "To tell you the truth it has been so often called a charm that I was simple enough to imagine it might be so." 5 "Ah, upon another face perhaps it might," replied her husband; "but never on yours. No, dearest Georgiana, you came so nearly perfect from the hand of Nature that this slightest possible defect, which we hesitate whether to term a defect or a beauty, shocks me, as being the visible mark of earthly imperfection." 6 "Shocks you, my husband!" cried Georgiana, deeply hurt; at first reddening with momentary anger, but then bursting into tears. "Then why did you take me from my mother's side? You cannot love what shocks you!"
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【简答题】文艺只是对理念世界的摹本——现实世界的模仿,因此只是摹本的摹本,影子的影子,与真理“隔着三层”,这话是(    )。
【单选题】( )方法是在很小的样本范围内进行的深度的、非正规性的访谈,旨在进一步辨明问题,为随后的正规调查做准备。
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定量研究方法
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投射法
【单选题】( )方法是在很小的样本范围内进行的深度的、非正规性的访谈,旨在进一步辨明问题,为随后的正规调查做准备。
A.
实验法
B.
定性研究方法
C.
投射法
D.
定量研究方法
【简答题】文艺只是对理念世界的摹本——现实世界的模仿,因此只是摹本的摹本,影子的影子,与真理“隔着三层”,说这话的是( )
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B.
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C.
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