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C Any introduction to Peking Opera would not be complete without telling of Mei Lanfang. Traditionally only men performed in Peking Opera, including the female roles. And Mei Lanfang was the very best master of the miss. During his stage life, he combined the traditions of the past with his own creations, shaping a style of his own and giving birth to “The Mei Lanfang School”. He was also the first artist to introduce Peking Opera to an overseas audience, making it popular to the world. For half a century, Mei Lanfang was a household name in China. Mei Lanfang began his stage life at the age of 8. His teacher said he showed little hope because of his boring eyes. To improve this, he exercised them day after day. He would fly kites and look at them moving slowly in a blue sky. He also kept pigeons in order to look at them soaring higher and higher until they disappeared into the clouds. Thanks to his efforts, he managed to transform his dull eyes into a pair of bright and expressive eyes and win national fame before the age of 20. In over 50 years on the stage, Mei Lanfang played no less than 100 different characters in the traditional Peking Opera performance. He completely changed both stage make-up and costumes, and enriched characters' gestures, expressions and poses. He also wrote many new plays, designing the dances himself. The many dances he created form part of the great legacy that he left to Peking Opera. In 1930, Mei Lanfang started on a successful US tour. There his brilliant performances fascinated the audience, making them realize that Peking Opera was a theatrical form of great literary and artistic value. 44. Mei Lanfang was the first artist to introduce Peking Opera to ______. A. China                B. Beijing                    C. the world                 D. schools 45. When did Mei Lanfang begin his stage life? A. At the age of 8.   B. At the age of 20.      C. In 1930.                  D. In 1950. 46. What is the meaning of the underlined word “legacy” in paragraph 3? A. Someone well known all over the world. B. Someone considered to be an art treasure. C. Something traditional combined with modern dances. D. Something valuable passed down from generation to generation. 47. What is the main idea of the passage? A. The history of Peking Opera. B. Mei Lanfang’s early stage life. C. The creations of Peking Opera by Mei Lanfang. D. Mei Lanfang’s great contributions to Peking Opera.
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举一反三
【单选题】诗句“映阶碧草自春色,隔叶黄鹂空好音”是( )
A.
托物言志
B.
借景抒情
C.
借事抒情
D.
直抒胸臆
【单选题】编组站、区段站在到发线、调车线以外的线路上停留车辆时,因()等情况,不能连挂在一起时,应分组做好防溜措施。
A.
货物装卸
B.
装卸车对货位
C.
车辆修理
D.
隔离限制
【多选题】编组站、区段站在到发线、调车线以外的线路上停留车辆,不进行调车作业时,应 ,拧紧 车辆人力制动机或安放铁鞋(或止轮器)。
A.
连接在一起
B.
两端
【简答题】简要赏析“映阶碧草自春色,隔叶黄鹂空好音”的妙处。
【单选题】编组站、区段站在到发线、调车线以外的线路上停留车辆时,如不进行调车作业,应连挂在一起,并须拧紧()车辆的人力制动机或以铁鞋(止轮器、防溜枕木等)牢靠固定。
A.
一端
B.
两端
C.
下坡道端
D.
所有
【简答题】编组站、区段站在到发线、调车线以外的线路上停留车辆,不进行调车作业时有何规定?
【单选题】“映阶碧草自春色,隔叶黄鹂空好音”出自杜甫的( ).
A.
《茅屋为秋风所破歌》
B.
《登高》
C.
《蜀相》
D.
《天末怀李白》
【判断题】映阶碧草自春色,隔叶黄鹂空好音。
A.
正确
B.
错误
【简答题】《技规》对编组站、区段站在到发线、调车线以外的线路上停留车辆有何规定?(《技规》第306条)
【简答题】给下面的材料标点释词. (1)断句标点. 丞相祠堂何处寻锦官城外柏森森映阶碧草自春色隔叶黄鹂空好音 三顾频烦天下计两朝开济老臣心出师未捷身先死长使英雄泪满襟 (2)解释词语. ①丞相②三顾③开济
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